“The End of the World, the Beginning of Hope.” Wait, that doesn’t make any damn sense!

The main premise of the movie is still the same: the northern hemisphere has been destroyed and the fallout is coming down to Australia to kill everyone. Some details are different, though. In this version, it was a war between the US and China, not the USSR. Some of the places in the US where the sub goes to try to find life have been changed. Some of the effects are better (this time they were actually able to make San Francisco look like it was destroyed, which was apparently too difficult to do with f/x technology in 1959), but some are worse, actually (like the weird spinning camera). The acting is sometimes better (the Aussie guy and his family are maybe more convincing than the guy from Psycho, at least in terms of seeming Australian…in fact, basically all of the Australian actors are better than the ones in the original), and sometimes it’s worse (Armand Assante plays an über-macho American sub captain, but Atticus Finch managed to convey more presence with subtlety and class). There are also more details in this version, which I actually liked. I was made for TV, though, so I guess they could take that luxury.

Here’s the opening scene, so you can get an idea of how it starts out:

The tone is mixed. The original was more somber, which may have had to do with the black and white film. This one looks and often feels like a soap opera, and that makes you almost think that it may pull a happy Hollywood ending out of nowhere at the very end. To their credit, though, they don’t resort to that, and the end is just as sad as the original, if not more so. The scenes with the Aussies and their family are more detailed here, and they’re much more effective as you see the hopelessness of it all, even if they try to die with dignity.

So what’s the overall verdict? Well, I probably shouldn’t have watched it right on the tails of the original (and other nuclear death movies), since I may not have had a chance to cleanse my movie palate. I guess I can say I “enjoyed” this, with the same caveat that it’s not really possible to enjoy them. I guess “appreciate” would be a better word. It does a good job of making you seem powerless and making everything seem bleak, but mixing in a dash of hope since we’ve not actually lived through all the crap happening in these movies. We can only hope that movies like these will help function as deterrents to keep us from destroying humanity.

RATINGS:
Nostalgia Factor: 3/17 I guess it made me think of fashion from about 14 years ago, but that’s not really a positive thing.
Scariness of the Nuclear Scare: 16/17 Since it’s been thoroughly updated in many ways, this one may actually be scarier than the others. It’s just that the way it’s presented isn’t 100% convincing since it’s too flashy.
Armand Assante’s “Serious Face” Use: 15/17 (Probably way too much)
Overall Rating: 14/17

This very-similarly-titled movie was also released in 2000, making it hard to find pictures for the Aussie TV soap opera movie. But since it featured Leonardo DiCaprio–who I don’t care for–I decided to put up this pic of his co-star.

Thanks for reading!

Hello again! Our Atomic Film Fest continues this evening with 1959’s movie On The Beach. There was also a remake in 2000 (which I’ll discuss soon), but I think this must be one of the earliest movies made that contains a nuclear scare, although the “scare” is fairly mild.

Quick Aside: When I was looking for pictures for “The Day After” in my last review, I kept getting pictures of “The Day After Tomorrow.” For this review, I kept getting pictures of these idiots, on something called “Ex On The Beach.” Is that the Jersey Shore that everyone was angry about a few years ago? Oh well, maybe having pictures of “attractive” (but is that what passes as attractive these days??) dummies in swimsuits may drive up Cinematic Attic’s page views.

The idea is that The US and The USSR have bombed each other to hell, and there’s not much left of the northern hemisphere except a cloud of radiation that’s slowly making its way south. The bulk of the story takes place in Melbourne, Australia, where a US submarine crew has surfaced. There’s a bit of romance, as well as the question if there’s absolutely no hope up north, or if there might be survivors in Alaska or some other place.

The movie was based on the novel by Nevil Shute, which I read in elementary or junior high school. I may be taking part in some revisionist personal history, but I think it was actually my mom who recommended this book to me. If so, that’s a bit dark, but it did work out well as blog fodder twenty years later. From what I remember of the book, it’s quite similar to both of the adaptations, although all three take place at different times. And all three are mostly bleak, no matter how much romance they try to add in.

This one has some pretty decent acting, at least by old movie standards. I must admit that I’m generally not a fan of older movies, since they’re usually unbearably cheesy, but this one is pretty good. The ever-gravitas-filled Atticus Finch plays the submarine captain whose family has been killed out in the US, and the guy from Psycho plays an Australian military guy who doesn’t have an Australian accent. He’s married and has a baby daughter, so they’re especially concerned about the family’s impending doom. Fred Astaire, who I don’t think I’ve seen in any other movies but whose name I recognize, plays a kinda drunk-ish guy who drives a sports car. And finally there’s Ava Gardner; it’s probably best to just say she’s a bit crappy in this movie. That’s perhaps another issue I have with old movies: both the men and women seem to have motivations that are completely foreign to me, for whatever reason. I just get uncomfortable when watching them, like they way I felt when I saw Pierce Brosnan sing in Mama Mia! It’s not necessarily bad, but it’s certainly not good.

The Guy From Psycho and this woman were both pretty good actors, especially taking into account it was 1950s acting. In the movie, they must come to terms with the idea that they may need to take a suicide pill, as well as give one to their daughter, to avoid the longer, slower radiation poisoning death. That’s legitimately heavy. Also, if you click on this picture, it’ll take you to a better review than this one. 

All that aside, it’s actually a pretty good movie. This one especially drives the point home that the war was avoidable and, for the people who watched it when it came out, that they were playing with fire if they thought a full-on nuclear war would be winnable. I would maybe even watch it again. Has anyone else out there seen it?

RATINGS:
Nostalgia Factor: 13/17 I was actually reminded a lot of the book when I saw this movie. But if I still remember plot points of a book I read 20 years ago, either it had a big effect on me, or I’m forgetting something else because of it, like how to perform canine CPR. Actually, that’s probably it. I took a canine CPR course in Germany in 2002, but I can’t remember how to do it. Dammit.
Scariness of the Nuclear Scare: 16/17 Unlike the 2000 remake, this doesn’t show any nuclear bombs at all, so technically the “scare” is in the invisible radiation that will kill all the survivors in the world. Which, now that I think about it, deserves a 17/17.
Guttenbergometer Reading: 0/17 (Not even trace levels of Steve Guttenberg detected)
Avagardnometer Reading: 17/17 (Annoyingly dangerous levels of Ava Gardner, including Ava Gardner trying to act drunk)
Overall Rating: 14/17

One more for the road: Women wearing what I assume are supposed to be bikinis, although I can only recognize one as a garment bearing that name.

Thanks for reading!

As I mentioned in my last post, a couple months ago I got on a kick of watching movies related to nuclear scares and post-nuclear-apocalypse tales. WarGames was a bit goofy but entertaining overall, but that movie stands in contrast to another movie from the same year which kicked off my film fest, The Day After.

The Day After is a 1983 made for TV movie that apparently made a huge impact when it was released, although I was only three when it came out, so I guess I wouldn’t know. What I do know now, with thirty years of hindsight, is that it’s definitely disturbing, even if it is a product of its time.

The idea is that there’s a nuclear war between the US and the USSR, basically annihilating the populations of each country. We don’t get many glimpses of what happens in the broader scheme of things, though, since the story is set in Kansas and stays there nearly the whole time. We follow various characters as they try–and ultimately fail–to deal with the fallout of…well, the fallout.

Oh come on! You’re even gonna let radiation sickness kill off The Gutte??

The effects and production are probably really good, at least for 1983, but the acting is a bit cheesy at times. There are some pretty well-known actors like Steve Guttenberg and John Lithgow, but the soap opera acting isn’t really the reason this movie has an impact. Its impact is entirely based on the scenes of nuclear destruction and the absolute hopelessness of it all. It’s a bit of a trope in movies, but when they say something like “The ones that were killed were the lucky ones,” we still root for the survivors and know that they’ll find some way to make it through. This movie has the courage, if that’s the best word, to show us that the survivors won’t make it through, no matter how hard they try. It really does drive home the point that a nuclear war is un-winnable and indeed un-survivable.

And that’s just the scene when the bombs go off. It just goes downhill from there.

So, I can’t say I enjoyed it, but I can say I’m glad I’ve seen this movie.

RATINGS:
Nostalgia Factor: 0/17 I can’t really say this made me miss anything about the past, but that’s a good thing.
Scariness of the Movie’s Nuclear Scare: 16/17 Even though you can tell the special effects are from 1983, they’re still effective and disturbing.
Guttenbergometer: 14/17 (High to Severe levels of Steve Guttenberg)
Overall Rating: 9/17 I don’t think it was bad at all, but I don’t think I’ll be watching this one again.

That’s All, Folks! Yech.